MARTYRDÖD To Support Skeletonwitch On US Tour; Hexhammaren LP To See Release In North America Through Southern Lord

Swedish crust metal outfit MARTYRDÖD will make their return to the US this spring, providing support for Skeletonwitch on tour in late May into early June.

MARTYRDÖD, who has not toured on North American soil since their participation in the Southern Lord label tour in 2012, will make their triumphant American return this year. The band will join Soft Kill and Wiegedood supporting Skeletonwitch across the West Coast and Midwest from May 22nd through June 1st, with Portrayal Of Guilt, Devil Master, and others playing on select shows.

MARTYRDÖD recently recorded their seventh LP, Hexhammaren, with Fredrik Nordström at Studio Fredman (Wolfpack, At The Gates, In Flames) in Gothenburg, Sweden. Hexhammaren will see release in May through Southern Lord in North America with Century Media handling the release for other territories.

Watch for additional tour dates and album updates to be issued in the weeks ahead.

MARTYRDÖD Tour Dates:
4/06/2019 Volume Club – Kiev, UA
4/21/2019 Neuronoise Festival II – Rennes, FR
5/22/2019 Teragram Ballroom – Los Angeles w/ Skeletonwitch, Soft Kill, Wiegedood, Portrayal Of Guilt
5/23/2019 The Independent – San Francisco, CA w/ Skeletonwitch, Soft Kill, Wiegedood:
5/24/2019 Bossanova Ballroom – Portland, OR w/ Skeletonwitch, Soft Kill, Wiegedood:
5/25/2019 The Crocodile – Seattle, WA w/ Skeletonwitch, Soft Kill, Wiegedood:
5/27/2019 Metro – Salt Lake City, UT w/ Skeletonwitch, Soft Kill, Wiegedood:
5/29/2019 Marquis Theater – Denver, CO w/ Skeletonwitch, Soft Kill, Wiegedood:
5/30/2019 The Bottleneck – Lawrence, KS w/ Skeletonwitch, Soft Kill, Wiegedood:
5/31/2019 Turf Club – Minneapolis, MN w/ Skeletonwitch, Soft Kill, Wiegedood:
6/01/2019 Lincoln Hall – Chicago, IL w/ Skeletonwitch, Soft Kill, Wiegedood, Devil Master
10/11-12/2019 Scandinavia Deathfest – Stockholm, SE

For coverage of MARTYRDÖD in North America contact dave@earsplitcompound.com and internationally contact Birgit.Luhmeyer@centurymedia.de.

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PELICAN To Release Midnight And Mescaline 7″, Band’s First New Music In Six Years, As Record Store Day Exclusive; June Tour With Cloakroom Booked + Remixed & Remastered Version Of Forever Becoming LP Out Now

PELICAN, the instrumental quartet whose singular vision of heavy music eschews classification, is set to release their first new music in six years via a two-song 7″ on Southern Lord coming as an indie exclusive on Record Store Day (April 13th, 2019 #RSD2019). The band’s penchant for commanding live performances will be apparent when they head out for a run of US tour dates this June, accompanied by Midwestern masters of thunderous slowgaze Cloakroom.

Channeling the visceral intensity of their live shows, PELICAN‘s “Midnight And Mescaline” is an unrelenting riff marathon, careening from eviscerating heaviness to metal-infused fretboard frenetics to cathartic melody in a compact five-minute sprint. Paired with B-side “Darkness On The Stairs,” the new release taps into the band member’s shared roots in the late ’90s DIY music scene, reinvigorating the quartet with impassioned punk ferocity.

In conjunction with the 7″ and tour announce, Southern Lord has just digitally released a deluxe reissue of the quartet’s 2013 album Forever Becoming, featuring vastly improved mix and mastering of the original songs replete with a revised version of the previously Japan-only bonus track “Bardo.” Initially recorded by Chris Common under optimal conditions at Chicago’s Electrical Audio, Forever Becoming was mixed in less-than-ideal circumstances at a makeshift studio in Los Angeles, yielding mixes that varnished the incredible tones generated during tracking. When the subject of a vinyl repress came up, Common, now helming his own proper studio, asked for another crack at mixing the album. The result brings a new level of low-end depth, atmospheric clarity, and tight, punchy heaviness to the album. Vinyl pre-orders are coming soon and is available from all digital retailers and streaming services now.

Listen to PELICAN’s remixed/remastered Forever Becoming reissue at THIS LOCATION and watch the “Deny The Absolute” video from the reissue HERE.

Across almost twenty years, five full-lengths, seven EPs, and hundreds of live shows, PELICAN has cultivated a chemistry that borders on telepathy, catapulting the band from basement shows in their native Chicago to outlier appearances at international music festivals including Primavera, Roskilde, Pitchfork, Bonnaroo, Roadburn, and Maryland Deathfest, and headlining tours across four continents.

Watch for additional tour dates and music announcements from PELICAN to be posted shortly.

PELICAN w/ Cloakroom:
6/20/2019 Loving Touch – Ferndale, MI w/ Greet Death
6/21/2019 Lee’s Palace – Toronto, ON
6/22/2019 Bar de Ritz – Montreal, QC
6/23/2019 Great Scott – Boston, MA
6/24/2019 Brooklyn Bazaar – Brooklyn, NY w/ Planning For Burial
6/25/2019 Boot & Saddle – Philadelphia, PA w/ Planning For Burial
6/26/2019 Ottobar – Baltimore, MD
6/27/2019 Club Café – Pittsburgh, PA
6/28/2019 Northside Yacht Club – Cincinnati, OH
6/29/2019 Metro – Chicago, IL w/ Young Widows

For coverage of PELICAN in The Americas contact dave@earsplitcompound.com and internationally contact lauren@rarelyunable.com.

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OKKULTOKRATI ANNOUNCE LIVE DATES IN SWEDEN AND DENMARK; BAND CURRENTLY WORKING ON A NEW ALBUM

Norwegian rockers Okkultokrati reveal a trio of live dates on the horizon in Sweden and Denmark, where they shall be road testing new material that they are currently working on. Their previous acclaimed album Raspberry Dawn was released via Southern Lord in 2016 – more on that album below.  

OKKULTOKRATI LIVE DATES:
February 14: Gothenburg @ Musikens Hus
February 15: Aalborg @ 1000Fryd 
February 16: Copenhagen @ Musikcafeen

More info on Raspberry Dawn below…
While paying homage to their native 1990s black metal heritage, the cinematic synth/goth rock of the prior decade, and the raging early punk movement ahead of that, Okkultokrati still manages to create sincerely original and infectious music through every bar of Raspberry Dawn, resulting in a starkly raw and original sounding album. 

STREAM OKKULTOKRATI’S RASPBERRY DAWN

On Raspberry Dawn, Okkultokrati thrusts the heretic rock and roll that they have cultivated since their 2008 inception into more extraordinary situations. Classic ‘70s riffing, snotty punk, and brash, old-school metal are inventively mixed with pulses and spikes of darkwave and ice cold, psychedelic repetition. They execute these infectious tunes effortlessly, playing with the attitude they retained from their roots in rural hard rock attitude, and busting a propulsive stomp that aligns them closer to the clarity of recordings from decades past, also exemplified by spring reverb twangs that ping across the mix like rubber bands. With organ touches, violent slaps of static, and blown out sci-fi overtures backed by the band’s preexisting taste for the curious and the macabre, amping-up both the drama and the feel-good extremes that they have always lathered their sound in, Raspberry Dawn is weird, wired, and quite possibly the holy grail for those looking for radical rock reinvention and new sensations in the current era.

PRAISE FOR RASPBERRY DAWN:
“Norway’s Okkultokrati takes the age-old black metal imprint of snarling Venom-style vocals and general nihilism, and updates the proceedings with fresh approaches that employ punk, hardcore, death metal, goth and much more. The new record is more evolution for the band, as the general doom and gloom has been replaced by almost sunny (but still chainsaw-like) riffs and more melody. Imagine Motörhead at their beer-raising fun best, but with synths, occasional piano, and more, then you may have the idea…” – CLRVYNT

“The song (Hard To Please, Easy To Kill) offers nostalgia for those who went through a powerful goth phase in high school, while offering a vision into an alternate timeline when the ‘80s never ended, only got weirder. It must be heard to be believed…” – INVISIBLE ORANGES

“If you were to lock Ian Curtis, Robert Smith, Mat McNerney and Fenriz in a recording studio for 24 hours then this would likely be the musical fallout.” – AVE NOCTUM

“Raspberry Dawn carries such a manic energy and flamboyant disregard for what’s expected of it that it is arguably both the most interesting and defiantly punk rock statement the band has made thus far.” – THE QUIETUS

“Commendably individual, and coated in a dirty film of fuzz.” – TERRORIZER

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SUNN O))) Announces New Album And US Tour Dates In April; Life Metal Trailer Now Playing

SUNN O))) is pleased to present Life Metal, their first new studio album in four years, due for release on Southern Lord Recordings in April 2019. The album will be supported by their first US tour since 2017 and the premier US tour of their 2019-2020 season, including stops at The Masonic Lodge in Detroit, Howard Theatre in Washington, DC, Agora Theatre in Cleveland, Rockefeller Chapel in Chicago, The Caves in Pelham, and Brooklyn Steel in Brooklyn. Dates and details can be found below, with more info to surface soon.

Read a new interview with SUNN O))) and watch the Life Metal teaser now via Stereogum HERE.

At the very beginning of 2018, SUNN O))) co-founders Stephen O’Malley and Greg Anderson set out on a path toward a new album production. They were both determined to create new music and a new method of working in the studio, without forgetting the long and proud history of production and studio accomplishments forged during their first two decades of existence, and the members’ own musical experiences out of the bands. One long term goal was completely clear: to record SUNN O))) with Steve Albini in his Electrical Audio studio. Albini took the call, said “Sure, this will be fun. I have no idea what is going to happen.”

Anderson and O’Malley gathered twice that spring for writing, conceptualizing, and riff woodshedding in the very building where the band was formed: Downtown Rehearsal in Los Angeles. Sonic cosmoses, flashes of abstract color (synthetic and objective), and themes emerged from the mastered depths of saturation and circuits between the two players and their mountains of gear. Themes developed in terms of brightness and energy, while visionary cues pointed toward subconscious areas of practice and the pair realized they were exploring other zones of consciousness via sound/time and sound/energy manipulation. In early summer, a pre-production session with full backline, as a trio with T.O.S. on Moog, was recorded at Dave Grohl’s 606 studios, Northridge, California.

In July 2018, SUNN O))) spent just over two weeks in Chicago at Electrical Audio (Studio A) with Albini at the helm. The results are astounding: there is breadth and luminosity of color, it sounds vast. The sessions were impeccably recorded, authentically represented, and completely accurate. The spectrum cracked the firmament open in clarity. An all analogue technique was used, they recorded and mixed on tape, providing a creative gateway for SUNN O))) to evolve their production methods into stronger, confident, performance based and a more logical executive process. The album was mastered and lacquers cut from tape in October by SUNN O))) ally Matt Colton at Alchemy in London. The LP version is a AAA album, recorded and mixed on tape via a completely analogue production, from the input of the band’s amplifiers and the air coming off the speakers in front of the microphones to needle touching the pressed vinyl on your turntable.

Continuing one of the main currents of the SUNN O))) concept, depth of exploration within collaboration, brought forth Hildur Guðnadóttir to the SUNN O))) constellation. Guðnadóttir has performed as a live collaborator of SUNN O))) and a renowned film music composer, as well as a former member of the bands Múm, Pan Sonic, and Angel. She was a longtime collaborator with the composer Jóhann Jóhannsson (RIP). Guðnadóttir lent her incredible attitude, as well as her voice, breath and electric cello, and the enigmatic haldorophone to the proceedings, culminating in the epic composition/concerto “Novæ.” The cosmos clearly expands.

Tim Midyett, a close friend of Anderson and O’Malley since the Seattle days of the early ’90s, and member of Silkworm, Bottomless Pit, and Mint Mile, joined in a foundational role tying earth to sound with wicked performances on aluminum neck bass and baritone guitars: instruments he helped pioneer playing back in the ’90s alongside Steve and Shellac of course. Dark matter is reality.

Prolific new music composer Anthony Pateras arranged and recorded an incredible contribution of pipe organ for a piece titled “Troubled Air” (titled after an essay by author Aliza Shvarts, who also penned the liner notes for SUNN O)))’s Kannon LP), at Schlosskappelle, Schloss Solitude, Stuttgart. String theory of space.

The resulting album is titled Life Metal. It is fully realized and completely real. The record was produced by the core of O’Malley and Anderson and arranged by the greater constellation SUNN O))). Paintings by visual artist Samantha Keely Smith graciously adorn the sleeve and provide a perfect suitable mask to the proceedings. They collide ideas of 19th century romanticism and late 20th abstract expressionism (mysticism) with SUNN O)))‘s approach to metal (via reference points of Arbo, Turner, Delville, Richter, Turrel, Wou-Ki). Photographer Ronald Dick shot them in baths of light color representing depth of sound pressure in the work.

Life Metal Track Listing:

  1. Between Sleipnir’s Breaths
  2. Troubled Air
  3. Aurora
  4. Novae

There is a second more meditative LP titled Pyroclasts, also recorded by Steve Albini in parallel, and which will be revealed in the autumn 2019 with all music performed by Stephen, Greg, T.O.S., Tim Midyett, and Hildur Guðnadóttir. Further details will be released later.

SUNN O))) is touring in Europe this March, in the US in April and again in September, and again in Europe and the UK in October. See all confirmed dates below and watch for more tour updates to be issued soon.

SUNN O))) Let There Be Drone (Multiple Gains Stages):
2/28/2019 Mousonturm – Frakfurt, DE [info]
3/01/2019 Orpheum – Graz, AT @ Elevate Festival [info]
3/02/2019 Divadlo Archa – Prague, CZ [info]
3/03/2019 Kampnagel – E. Hamburg, DE [info]
3/04/2019 Paradiso – Amsterdam, NL [info]
3/06/2019 L’Epicerie Moderne – Lyon, FR [info]
3/07/2019 L’Autre Canal – Nancy, FR [info]
3/08/2019 La Vapeur – Dijon, FR [info]
3/09/2019 QuasaRites Day/Le 106 – Rouen, FR [info]
3/11/2019 Le Temps Machine – Tours, FR [info]
3/12/2019 Stereolux – Nantes, FR [info]
3/13/2019 La Sirene – La Rochelle, FR [info]
3/14/2019 Le Rocher de Palmer – Bordeaux, FR [info]
4/17/2019 Agora Ballroom – Cleveland, OH
4/18/2019 Masonic – Detroit, MI
4/19/2019 Rockefeller Chapel – Chicago, IL
4/20/2019 The Caverns – Pelham, TN
4/24/2019 Underground Arts – Philadelphia, PA
4/25/2019 Brooklyn Steel – Brooklyn, NY
4/26/2019 College Street – New Haven, CT
4/28/2019 The Howard – Washington, DC

Tour produced by Ideologic Organ Music. SUNN O))) booking in EU by Odyssey / Vincent Royers. SUNN O))) booking in USA by David Strunk / UTA. SUNN O)))‘s recordings are released by Southern Lord Recordings.

Review copies of Life Metal will be issued in the coming months. For coverage of SUNN O))) in The Americas contact dave@earsplitcompound.com, all others contact lauren@rarelyunable.com.

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